If I Appear in a Leg Cast Tomorrow, I Think You'll Know Why

Tonight the Possum Point Players production of South Pacific opens for its gala two-weekend run in Georgetown.  I'm making my triumphant return to the Possum stage in a small role as a flunky to that show's main comic-relief character, Luther Billis.  I'm "The Professor."

I used to perform and work backstage for Possum shows in the late 80s and early 90s. I played small roles and did a bit of technical work. Karen played in orchestras for the musicals. We made many great friends.

We both took a break to raise the girls. But with the nest starting to empty out, we're dipping our toes back into the water.

Karen played in the Orchestra last year for Les Miserables.  I did a tiny walk-on a few years back as a favor to a friend who was directing.  For South Pacific, I'm back in the mix of a large pool of talented actors, singers and dancers.

If nothing else, I can project my voice and am comfortable on-stage.

So. If you are curious about how I look now that I'm "face-bald," grab some tickets and come see the show.

Back on Stage at Possum Hall

I've taken a small role in a production by the Possum Point Players, a community theater in Georgetown Delaware where I spent many days, pre-kids.

The show is Stinkin' Rich, a retelling of Moliere's The Miser, set in 1929 in New York. I'm playing Simon, a lawyer and go-between who is on-stage for all of 30 seconds or so. The director is my old friend Nina Galerstein, who introduced me to the Lovely Karen. She asked me to jump in and take the small role and I decided, "why not?"

It has been a good long while since I've been on stage at Possum Hall as an actor. Back in 2004 I helped out as a stage-hand. I used to be a regular, but as the children came along and their activities took precedence, I stepped away. I'm enjoying getting back on-stage again in a speaking role. I like playing Drosselmeyer in The Nutcracker for the girl's dance school. But it's cool to be using my voice again.

I've been taking rehearsal pictures, which may give you a preview of the show. I'll also note that fellow blogger Kim Klabe is a part of this production, playing a worldly operator named Rose.

The show opens this Friday and runs Friday and Saturday nights, and Sunday afternoons, for the next two weeks.

A Long Weekend Onstage

It has been a busy few days. All four of us were on-stage together over the weekend in the Sussex Ballet production of The Nutcracker. This entailed dress and tech rehearsals on Wednesday and Thursday evenings and performances on Friday and Saturday evenings and on Sunday afternoon. Those rehearsals were long and tiring, but performances are great fun.

Christina, who is becoming a very good dancer, took the lead role of Clara for the Friday and Saturday performances. She did a lovely job. Colleen is a seasoned and dependable member of the corps de ballet and took some featured spots on Friday and Saturday. On Sunday, Colleen danced the solo "Arabian" dance and hit an absolute home-run. We were terribly proud of both our girls.

It's a great treat, by the way, to watch your daughters perform from on-stage with them. I had to be careful, at times, to keep from getting too misty-eyed. Wouldn't have worked for the minor character I played.

And it is fascinating to watch a Ballet from backstage. What is carefully choreographed grace and beauty on-stage is equally carefully choreographed chaos offstage.

Above all, it was great fun to get to know better a wonderful group of young people; some of them we've known since they were toddlers, others we have just met. All of them are great kids.

So I am tired, but happy.

Nutcracker Time!

It's just about that time of year again; time for traditional holiday shows. Among them is the Nutcracker, which has become a large part of our family life for a few years.

Our Nutcracker odyssey goes back at least to 2003. The girls are part of the Sussex Ballet and have also done the Nutcracker at the Southern Delaware School of the Arts. In 2004, they took to the streets of Lewes in Nutcracker costumes for the City's Christmas Parade. In 2006, we made it A Family Affair when Karen and I took on roles as extra adults in the party scene that starts the show. Last year, I took the part of Drosselmeyer, the kindly old coot who brings an enchanted nutcracker to the party.

This year, Christina is featured as Clara, the young girl at the center of the story. And Colleen is the lead dancer in the dance of the flutes for several performances and is the solo dancer in the Arabian dance.

Karen, as always, plays the part of the lovely, tall brunette in the green dress.

The shows are set for Friday and Saturday, December 5 and 6, in the evening, and an afternoon matinée on Sunday, December 7. We're using the theater at Cape Henlopen High school, just outside of Lewes. Tickets are $16 general admission; $12 for seniors and students. You should call (302) 645-7855 for your tickets.

Sunday Morning with the Newspapers #132

In this morning's News Journal, I find an article (Georgetown DelTech to offer theater productions) that describes an effort by Delaware Technical and Community College to bring regular theater productions to the stage on their Georgetown campus.

The goal, said Vice President and Campus Director Ileana Smith, is to get area residents into a habitat of supporting the arts and to "think about this theater as a place to come."

Smith said campus leaders believe the time is right for a theater venue in central Sussex County. Many new residents in nearby Bridgeville, Millsboro and Lewes moved to Sussex County from larger communities with vibrant culture and arts scenes, Smith said.

While I applaud this idea -- I'm in favor of theater, after all -- I do have to point out that Georgetown already is home, and has been for many years, to the Possum Point Players and their Possum Hall theater. In fact, Possum Hall is less than two miles from DelTech (as the Google bot suggests that the crow drive).

I used to be closely involved with the Possums. In the days before kids, the Lovely Karen and I were both a part of that group. Our first date was dinner at Adriatico (when it was on First Street at Baltimore Avenue in Rehoboth) followed by a Possum performance of Cat on a Hot Tin Roof.

That performance was at (wait for it) Delaware Technical and Community College, in the theatre now proposed for the addition of theater programs.

In those days, before the refurbishing and expansion of Possum Hall, the Possums did their larger productions at Del Tech. And we were a part of many.

Karen, a talented flautist, was a member of the orchestra for almost all of the Possum musicals (back when they used real orchestras). I can act and can fake my way through a song as long as I'm in a "character part." And I used to help out backstage for shows that lacked a suitable "Mike part." I did props, or sound, or helped shove things around on-stage between acts.

Between us, we were involved in The Good Doctor, Wait Until Dark, the Sound of Music, Nunsense, The Crucible, Oklahoma, The 1940's Radio Hour, The Man of La Mancha, Big River, and I'm sure there are others that I am now forgetting.

The week before I proposed, in 1987, we helped out at a Possum Kid's production of The Emperor's New Clothes. It was the last show of that production, so we stayed behind to help tear down the set. I wasn't paying proper attention and put a foot down in the wrong spot. I twisted my ankle over so severely that I pulled the connector-thingy (tendon?) that connects shin to foot completely out of my foot. Technically, it was a bone break. So I proposed on crutches. Never underestimate the power of sympathy.

When the Possums did Nunsense, I was the props master and Karen, then large with Colleen, did sound effects and turned pages for the pianist. Nunsense is a show-within-a-show show. The idea is that a group of Nuns is putting on a performance, so anyone seen onstage should be wearing a Nun's habit. As the show started, the stage manager (our friend Nina) and I would be out on the stage, setting props for the Nun's "stage." At that point I had only a mustache, so I kept my back turned to the audience until the very last second, when I would spin around, face the audience just long enough for my facial hair to register, and then exit, stage left. Those were the easiest (and somehow most satisfying) laughs of my stage career.

We also have a photo of the two of us from that show-- both in Nun drag, Karen clearly quite pregnant, me mustachioed. We like to haul it out to scare the girl's friends when they visit.

So, when I see a story about how the fine folks at DelTech are going to rescue a culturally benighted Georgetown by bringing in theater, I bristle. Just a little. The fact is that Sussex County does not really lack culture. You just have to seek it out. You just have to support it in any way you can.

We have the Possums. We have the Sussex Ballet (where our efforts, and those of our children, now center). We have the Rehoboth Summer Children's Theatre, whose Board I served on for many years and whose web site I still manage. There is a new theater group working in the old Epworth Church building in Rehoboth Beach. There are good programs in the local high schools. And there is the Southern Delaware School of the Arts.

There are fine music programs all summer at the Bethany and Rehoboth bandstands. There is the Rehoboth jazz festival and the Rehoboth film festival. There is a music festival in Dewey Beach. There are weekly concerts in Stango Park all summer in Lewes.

We have culture. We just have to do a better job of supporting it.

How I Spent My Week-End

A few lines drawn on my forehead and from nose to mouth. A touch of eye-liner (but only on one eye). And a liberal amount of hair-white.

An eye-patch, black top-hat and voluminous black cloak. And a completely cool tail-coat with a rich-looking pattern and scads of gold braid all over it. I really liked that coat.

This picture is the MySpace-style self portrait that I couldn't help taking while in costume just before the first performance of the Nutcracker.

In the days before children (BC), Karen and I were active with the Possum Point Players, a local theater group. Karen played in the orchestra and I took small character parts or worked backstage doing sound, props or other crew work.

I sometimes miss doing shows. I hope to get back on stage more when the girls are driving themselves and off to college. It was fun to be out in front of an audience again, if only in a small part.

A Season Ends

This evening, we attended the final show of the 2007 season of the Rehoboth Summer Children's Theatre. We saw a delightful performance of their version of The Wizard of Oz.

It was a special occasion for a few reasons. Not only was it the last night of the Theatre's 26th season in Rehoboth, but it was also the final performance in the basement Fellowship Hall of Epworth United Methodist Church on Baltimore Avenue in Rehoboth Beach. The Epworth congregation is building a new sanctuary, pre-school and other facilities just outside of Rehoboth, off Route One. It's likely that the Theatre will move many of their performances there next summer, though they are still looking for space within Rehoboth; they'd like to maintain some ties to their history in the beach block.

And we were treated to a rare performance by both of the founders of the Rehoboth Summer Children's Theatre: Steve and Elise Seyfried, who founded the Theatre in 1982. Because the young actress who usually performs this show with Steve has headed back to college, Elise (who co-wrote the play and originated the RSCT version of Dorothy) joined her husband on stage.

Coincidentally, the Wizard of Oz was the first show performed by the two Seyfrieds when they started the Theatre.

They still get to play together this way every once in a while; it's always fun to see. Steve and Elise have an ease, a rapport, a spark that only comes from sharing a life, raising a family, and nurturing a theater together.

The experience left Karen and I reminiscing. We've known Steve and Elise as summer friends for some 15 years (maybe more). We first saw them perform together when Elsie was pregnant with her youngest child; Julie, a delightful young lady and good friend of our youngest. I spent about a decade on the Theatre's Board of Trustees. And I still maintain the Theatre web site as a favor to Steve.

We're sad to see them pack up their stage and head home to the Philly area, but we're glad we know them and their impressive kids. Remind me to tell you some time about the Chamber Music Festival Elise and her oldest son founded some years ago here in Lewes.

Storming Times Square

Karen, the girls and I made a flying visit to New York City on the Wednesday after Christmas. Irene the Organizatrist put together a bus trip for students and families of the Dance Studio. We sent away for Broadway tickets, booked our bus seats, got up hideously early, and drove over to Millsboro to catch our motor coach.

By chance, one of Colleen's friends from Academic Challenge was in the city with her family, from Seaford, for a few days. Against all odds, we managed to meet them for lunch at the Times Square Hard Rock Cafe. Afterwards, they helped us take Standard Tourist Family Portrait #32.



After a short wander around Times Square, checking out the buildings and people, we headed to a matinée of Hairspray. That's a great show: bright, funny and rocking. We loved it.

Waiting in line outside the Niel Simon Theater, I enjoyed watching a young woman from Fox 5 in New York (Vanessa Alfano, maybe? Looking at this again, I think maybe it was Toni Senecal) doing takes for some sort of story. She would walk towards the camera, bouncy and animated, saying whatever the line was supposed to be for her report. Then she would stop, turn on her boot heel, and stalk back to her starting point, fuming and discontented. Next take? Bouncy and happy again.

Everyone in line enjoyed that.

After the show, with dusk falling, we headed up 52nd Street to Fifth Avenue, stopping to shop and take pictures. The girls had a strong urge to check out Saks Fifth Avenue. I thought it a good place to try for a new self-portrait.

Evening on Fifth Avenue, a day or two after Christmas, is crowded. Really, really crowded. We had to play old-fashioned, NFC-style, ground-attack football just to get through the crowds to meet the bus.

Then it was a creep through the streets of Manhattan, out the Lincoln Tunnel, down the turnpike and home. We pulled back into our garage just at Midnight.

It was a long day, but fun.