Rocking the Mothership

It was a last-minute sort of thing, but I traveled down to Hampton, Virginia, yesterday to see the band Furthur in concert. They were playing in the distinctive-looking Hampton Coliseum, known variously as the Mothership or the Cosmic Cupcake.

I bought a ticket earlier in the week on a whim; partly to celebrate the new job and partly because I've been following the band's setlists and photos this tour and getting more and more interested.



The band Furthur, named for the Merry Pranksters' psychedelic school bus of that name, is made up of two of the original members of the Grateful Dead -- Bob Weir and Phil Lesh -- along with a talented crew of younger musicians. As a group, they are tight and inventive and having great fun.

There was some fear that this would just be a very good Dead cover band, but they are more than that. In fact, they are a cover band in the same way that the Grateful Dead were; taking classic songs and making them feel new. The setlist for the Hampton Coliseum show includes covers of Bob Dylan, the Beatles, and Led Zeppelin. Their version of Zeppelin's Fool in the Rain was particularly good.

I went alone to this show. It's fun to do that sometimes. It makes you completely free to be anonymous. And it lets me talk to all those around me. At this show, there were fans in a wide range of ages from substantially older than I am to much, much younger. 

A large group of college students (from Old Dominion University, I think) were in the row behind me. Though they would have been toddlers when the Grateful Dead last played, in 1995, some of them were  were Deadheads in the true sense. One young man had been in New York City for the run of shows at Madison Square Garden during which Furthur covered The Clash (a first, and exciting) and there were guest appearances by Elvis Costello and his wife the jazz singer and pianist Diana Krall (among others).

I was jealous.

In Which Two Streams of My Musical Life Meet and Mix

Furthur, the best of the post-Garcia incarnations of the Grateful Dead, played a cover of Train in Vain, originally by The Clash, last night at Radio City Music Hall, in New York City. They didn't do too bad.



The song was originally sung by Mick Jones, the lead guitarist for The Clash.



I'm a Deadhead and I was a huge Clash fan back when they were active. I've written about this before. I think it's really cool that these two streams of music have come together.

Furthur, On Up The Road

I went up to Asbury Park yesterday to see Furthur, the new band put together by Bob Weir and Phil Lesh, of the Grateful Dead. My golf-buddy Andy came along for the ride. He's not a deadhead, but is not unaware of the music and was open to a new adventure. We had good seats and were well-placed for photography. I had fun with my camera.

The key to this band is the addition of guitarist John Kadlecik, until recently the "Jerry" specialist in the highly-regarded Dark Star Orchestra. Kadlecik plays and sings enough like Jerry Garcia to bring Phil's bass and Bobby's wonderfully complex rhythm guitar into a focus that dead fans will instantly recognize. But he does not come off as a Garcia imitator. That's a good thing.

The setlist is evidence of Kadlecik's influence. I don't think I've ever heard The Golden Road to Unlimited Devotion played live, but it was part of last night's show as was Viola Lee Blues. Both were outstanding.

The sound in the Asbury Park Convention Hall was pretty terrible. It's really just a concrete box and probably better-suited to the pro-wrestling and roller-derby that the beer-selling lady told me are common events there. The sound was muddy and the vocals, particularly Bob Weir's, were hard to pick up. In Bobby's case, I think there was a microphone problem.

The short video below (a bit of Althea) will give you some idea of the sound. Though, in fairness, this was taken with my digital camera.



I bought the insta-CD of the show (soundboard?) and listened to some of it today. The sound on that recording is very good (though the Bobby mic is low). There's a version (audience recording?) on the bt.etree archive of the show (thanks to @nemski for the tip). For deadheads wondering what is possible, post-Jerry, this is worth a listen.